Seventh Bowl

Seventh Bowl

The music ages with the tea.

A tea ceremony in sound. By Filin Ilia, music by Greg Orca.

First listening on 3 November in Budapest, by invitation. Film from that evening will play here.

Listen

A 60 to 90 second excerpt, crossing from one round into the next. Recorded at the first listening, 3 November

The excerpt never plays on its own. Press play when you are ready to listen.

The piece

A tea master brews for four guests at a low table. Water meets leaf, the lid of the gaiwan lifts, the pitcher pours, cups rise and settle.

Nothing on the table looks unusual, yet every gesture is heard. The room answers each pour and each sip, and the music is generated live from the ceremony itself.

Gongfu tea is brewed in many short infusions from the same leaves, and each round tastes different. Seventh Bowl follows that change. As the leaves open and the tea grows lighter, the music moves on with it. As the tea’s quiet energy gathers in the body over a session, the sound deepens and returns. The tea is chosen by the day and the mood, so no two ceremonies sound alike.

About an hour. One tea master, four drinkers, and listeners seated around them.

第七碗

“The seventh bowl I cannot drink. I only feel a cool wind rising beneath my arms.”

Lu Tong, Tang dynasty, from his song of seven bowls of tea. The title is a nod to him, not a count of rounds.

The rounds

Each new infusion opens a new scene. A ceremony might pass through the hours of a day, or follow another path the tea suggests.

One possible sequence

  1. First roundDuskThe leaves wake. Low, dark, close.
  2. ThenSunriseThe cup brightens and the sound opens.
  3. ThenRainEvery pour falls through the room.
  4. ThenSunsetSweetness returns, slower now.
  5. Last roundMoonrisePale tea, a long quiet tone.

Like the tea itself, each sequence is chosen and adjusted for the ceremony at hand, so the scenes, their number and their order change from table to table.

The gaiwan
The lidded bowl the tea is brewed in. Each new infusion moves the day on.
The pitcher
The way it pours colours everything you hear.
The four cups
Four voices. Each lift and each sip changes a line.

How it works, for the curious.

Next appearance

3 November 2026

First listening, Budapest. By invitation.

How long
About an hour at the tea table
Who drinks
Four guests drink; everyone else listens, seated close by
What you need
Nothing. No knowledge of tea is needed
Afterwards
We ask what you heard, and your answers shape the piece

Then

Late November 2026, Okuma tea house, Vörösmarty utca 19, Budapest

Public showing, date to be announced. Four seats at the tea table, with room for listeners around it.

Host Seventh Bowl

Seventh Bowl can come to your festival, gallery, tea house or private evening.

As a performance

We come, set the table and pour. The piece travels from Budapest.

In your tea house

A version your guests brew for themselves, with the same vessels and music, is in the making. Tell us if you would like it when it is ready.

Duration
About 60 minutes per ceremony, plus setup and teardown
At the table
One tea master and four guests who drink
Around the table
Seated listeners; how many depends on the room
Sessions per day
Several, each with four new drinkers
The room
Quiet, with light that can be dimmed
You provide
Power, a table and seating
We bring
Tea, vessels, kettle and everything else
Tech rider
On request
Fee
On request
Get in touch ilia@filin.eu

Artists

Portrait from the first listening, 3 November

Filin Ilia

Concept, vessels, ceremony

A Budapest-based interactive media artist working with light, generative visuals and installations that respond to the people in the room. Seventh Bowl is his second piece built around the tea ceremony.

  • meg-világos-odás, a tea ceremony answered with lightKőbánya Underground, Budapest, 2026
  • Shared Membrane, responding to the warmth of touchVészkijárat Galéria, Budapest, 2026
  • Interactive visuals for Barabás Lőrinc’s solo projectFrom church naves to 360° projection rooms, since 2025

Instagram

Portrait from the first listening, 3 November

Greg Orca

Music

Composer and producer. For Seventh Bowl he builds the generative set that listens to the table and turns each gesture into music.

  • Selected work to comeTitle, venue, year
  • Selected work to comeTitle, venue, year

Instagram